Kumpulan 150 Skripsi Sastra Inggris Mudah Dikerjakan dan Terbaik . Ini adalah solusi teman teman yang sibuk bekerja atau tidak punya waktu dalam menyusun skripsi.
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Agita Bela Hakiki, ; A COMPARISON OF MULTIMODALITY ELEMENTS USED IN BEYONCE'S MUSIC VIDEOS: CRAZY IN LOVE AND FORMATION.
Ambarwati, ; BLACK PRIDE CONSTRUCTION ON AFRICAN AMERICAN HERO IN THE BOOK OF ELI ;MOVIE: AN ARCHETYPAL STUDY.
Ana Nur Ainy, ; DECONSTRUCTING THE CONCEPT OF ‘PURE WOMAN’ IN THOMAS HARDY’S TESS OF THE D’URBERVILLES.
Antariksa Akhmadi, ; COMPARISON OF ENGLISH AND INDONESIAN LYRICS OF OREO WONDERFILLED ADVERTISEMENT: A LOCALIZATION PERSPECTIVE.
Avenie Putri Sari, ; THE FUNCTIONS OF PSA “PENYAKIT YANG DIAKIBATKAN ROKOK”: A STUDY OF DISCOURSE OF ADVERTISING.
Ayu Nukita Sari, ; Language Teaching Strategies Used by the English Teacher at 10th Grade Students in SMA Antartika Sidoarjo.
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BARKAH RAMADHAN, ; THE REPRESENTATION OF MONOMYTH FROM THE TWO MAIN CHARACTERS IN CHINA MIEVILLE’S UN LUN DUN.
BELINDA DEVINA, ; THE USE OF TEACHER'S CORRECTIVE FEEDBACK IN SPEAKING ACTIVITY STAGE FOR INTERMEDIATE CLASSES AT EF KAYUN SURABAYA.
BERLIANA SAPUTRI, ; SLIPS OF THE TONGUE IN THE UTTERANCES OF PRESCHOOLERS AGED 4-6 YEARS OLD IN SURABAYA WHILE CONVERSING WITH THEIR MOTHERS USING BAHASA INDONESIA.
BUDI AGUNG SETYO NUGROHO,; THE AMBIVALENCE OF HENRY TOWNSEND IN EDWARD P. JONES’ NOVEL THE KNOWN WORLD: A POST-COLONIAL STUDY.
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CHARISA FINI EFFENDI,; CODE SWITCHING IN COSMO GIRL INDONESIA MAGAZINE.
CHRISTANTY AUGUSTINE S., ; CHALLENGING THE TRADITIONAL GENDER ROLE IN JACQUELINE KELLY'S NOVEL THE EVOLUTION OF CALPURNIA TATE: A FEMINISM APPROACH.
CLEARANI LUH YEYEN ISPRIADI, ; ECOLOGICAL IMPERIALISM IN TESSA HARRIS’S THE DEAD SHALL NOT REST NOVEL.
Cindy Imeidha Tiffanie, ; AN ANALYSIS OF LEXICAL CHOICE USED IN THE 2016 U.S. PRESIDENTIAL THIRD ROUND DEBATE.
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DARA ADHELIA YOEDHISTIRA, ; MISOGYNY IN QUENTIN TARANTINO’S THE HATEFUL EIGHT FILM.
DEA SISCA KUSDIANA, ; MYSTICISM AND EXOTICISM IN INDIA IN COLDPLAY MUSIC VIDEO “HYMN FOR THE WEEKEND” ;: A PROCESS OF OTHERING.
DESI DWI CAHYATI, ; THE EFFECTS OF COLLABORATIVE AND INDIVIDUAL OUTPUT TASKS ON THE LEARNING OF ENGLISH COUNTABLE AND UNCOUNTABLE NOUNS.
DEWANTI KINANDHANA, ; TEACHER TALK ANALYSIS AT ENGLISH FIRST DELTA PLAZA SURABAYA.
DIAN ATIKASARI, ; THREE COMMONPLACES OF NARRATIVE IN A TEACHER’S LIFE STORY.
DIYAN ANITA PUSPITASARI, ; MISHEARINGS EXPERIENCED BY INDONESIAN STUDENTS IN GRADES 4-6 OF SDN AIRLANGGA 1 SURABAYA.
DYAH AYU WIDURI,; DECONSTRUCTION OF THE VIEW TOWARDS DYSFUNCTIONAL FAMILY IN EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT.
Derry Kurnia Addinta, ; AN ANALYSIS OF LANGUAGE OF HUMOR AT “INI TALK SHOW” TELEVISION PROGRAM.
Desak Putu Ardini Handayani,; POLITENESS STRATEGIES USED BY THE SUSPECT IN THE CRIMINAL INVESTIGATION BY THE POLICE.
Devi Istyanisa Haryuni, ; THE MEANING AND THE SOCIAL ASPECTS OF SLANG FOUND IN MAD MAX: FURY ROAD MOVIE.
Dwi Ayun Pratiwi,; THE REPRESENTATION OF MASCULINITY IN BANGTAN BOYS CLIP VIDEO ENTITLED DOPE.
Dwi Cahyani Octavianti,; The Representation of Woman in “Roar” Music Video by Katy Perry.
EKAMAGDA YUCCA AFIFAH, ; THE COMMODIFICATION OF DEVOUT MUSLIM IDENTITY THROUGH ENDORSEMENT PICTURES POSTED ON OKI SETIANA DEWI’S INSTAGRAM.
ELIN SETIAWATI, ; THE COMPARISON OF WOMEN’S LINGUISTIC FEATURES USED BETWEEN MEN AND WOMEN ASK.FM USERS ON RESPONDING TO HATE MESSAGES.
ELIZABETH ALEXANDRIA LAUREN,; DISCOURSE OF CHINESE-INDONESIAN IN KICK ANDY’S MR. GOVERNOR AND KONTROVERSI AHOK.
Eka Marina Pratiwi, ; COMPARATIVE STUDY OF ENGLISH TEXT COMPOSITION WRITTEN BY BILINGUAL STUDENTS IN PUBLIC SCHOOL AND INTERNATIONAL SCHOOL.
FARRIN DYOTA RACHMADILLA, ; THE INTERNET LANGUAGE FEATURES USED BY MALE AND FEMALE COMMENTATORS IN COMMENTING “BAD (OFFICIAL MUSIC VIDEO CLIP) BY YOUNG LEX FEATURING AWKARIN” ON YOUTUBE.
FAWZIA NOOR UMMAH,; THE STRUGGLE OF MULLET FINGER TO PROTECT BURROWING OWLS FROM HABITAT DESTRUCTION IN CARL HIAASEN’S HOOT.
FESTIANANDA ERUM MAWADDAH, ; A NEW CRITICM STUDY: XENOPHOBIA OF THE MAIN CHARACTER IN UMBERTO ECO'S THE PRAGUE CEMETERY.
FITA NOFARYA,; DISCURSIVE REFERENCES OF NATIONALISM WITHIN PANDJI PRAGIWAKSONO’S MESAKKE BANGSAKU STAND UP COMEDY SHOW.
FITRI DIANITASARI,; TRANSLATION ERROR FOUND IN UNDERGRADUATE THESIS ABSTRACT OF COMMUNICATION SCIENCE UNIVERSITAS AIRLANGGA BATCH 2015.
FRANSISCA KRISTIAN KUSUMA WARDANI,; HERO AND VILLAIN REPRESENTATION IN THE FILM 13 HOURS: THE SECRET SOLDIER OF BENGHAZI ;.
FRISTY LUANTSA KAULINA, ; THE INTERNET LANGUAGE FEATURES AND DICTIONS OF THE TWEETS OF MARIAH CAREY AND ARIANA GRANDE: A COMPARATIVE STUDY ON LANGUAGE AND AGE.
Fariz Fajrillah Murnadiputra, THE COMPARISON OF THE MODES USED IN TV ADVERTISEMENTS FOR MALES AND FEMALES: A CASE STUDY ON POND’S PRODUCT ADVERTISING.
Fitria Zahrina Putri, ; WHEN LOVE DARES (NOT) SAY ITS NAME; HOMOPHOBIA AND (HOMO)SEXUAL IDENTITY PORTRAYED IN SILVERA’S MORE HAPPY THAN NOT.
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GADIS LARASATI PERDANA, ; FASHION AND IDENTITY: THE MODIFICATION OF BATIK-GRUNGE RIPPED JEANS BY MOJOKERTO GRUNGE SOCIETY (MGS).
GILANG ZEILA NURUL HUDHA, ; FASHION CRITICS’ REGISTER IN FASHION POLICE TALK SHOW.
GISKA EKANA S., ; GENDER PERFORMATIVITY IN SELEBGRAM: CASE STUDY OF @JOVI ADHIGUNA INSTAGRAM ACCOUNT.
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HANA NURJANAH, ; THE BEAUTY CONCEPT PRESENTED BY FEMALE PRESENTERS IN PARA PETUALANG CANTIK INDONESIAN TELEVISION PROGRAM.
HAZMI PUTRA K.N., ; THE AMBIVALENCE OF THA’MMA’S DEPICTED IN AMITAV GHOSH’S NOVEL THE SHADOW LINES: A POST-COLONIAL STUDY.
HEPPY EGRETTA, ; AN ANALYSIS OF TRANSLATION INDONESIAN-ENGLISH RESTAURANT MENU IN THREE-STAR HOTELS IN SURABAYA.
HERDHIANTI PUTRI YUNIAR, ; FETISHISM IN FOOD AND FASHION PROGRAM IN TRANS TV.
HERDINDA OCTARI,; THE REPRESENTATION OF WOMEN’S CHARACTERS IN CINDERELLA THE MOVIE : A FEMINIST ANALYSIS.
Hasnia Minanda, ; THE PORTRAYAL OF WOMAN IN TOP WHITE COFFEE COMMERCIAL: RALINE SHAH VERSION.
Hidayatul Khoiriyah,; THE PORTRAYALS OF THE LOWER CLASS IN AXIS IRITOLOGY NOMOR 54 INDONESIAN COMMERCIAL BREAK: A SEMIOTIC ANALYSIS.
Husnuz Ziya Labib Ahmad,; Representation of Villain in Kamen Rider Wizard the 23rd Serie.
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IBRAHIM BAHALWAN, ; THE WORD ERROR COMPARISON BETWEEN GOOGLE AND MICROSOFT AUTOMATED SPEECH RECOGNITION SYSTEMS.
ICKO DIVINO RHESANANDA,; THE REPRESENTATION OF MASCULINITY IN @WAKDOYOKCREAM INSTAGRAM ACCOUNT: SEMIOTIC STUDY.
IKA MEIDYANA RACHMANIA, ; BEAUTY AND MASCULINITY: A SEMIOTIC STUDY OF @Endi_feng INSTAGRAM ACCOUNT.
IKKO DESTRIYA ANGGITA ATTISHA LAILA, ; CODE SWITCHING USED BY IVAN GUNAWAN AS THE COMMENTATOR IN THE DANGDUT ACADEMY ASIA 2.
ILHAM PRAYUDA, ; THE REPRESENTATION OF INDONESIAN NATIONAL IDENTITY THROUGH SPORT IN DJARUM COMMERCIAL BREAK BADMINTON SCHOLARSHIP VERSION .
ILMIA ZILVA,; TEACHING STUDENT’S ACCURACY IN PRONOUNCING –ED ENDING WORDS BY USING NARRATIVE CARTOON VIDEO IN MTS BILINGUAL MUSLIMAT NU PUCANG SIDOARJO.
INDATI CAHYA LUVITHA,; THE PORTRAYAL OF GENDER ROLES IN THE INTERN FILM: ANALYSIS ON THE CHARACTER JULES OSTIN’S ROLE AS A WORKING MOTHER.
INGGAR PRAMBAN DHANI, ; Communication Accommodation Strategies Performed by Lazuardi Al-Falah Klaten Elementary Teachers in Cambridge International Curriculum (CIC) Classes.
INTAN HERTY JIHANE, ; OJIBWA PEOPLE’S RESISTANCE STRATEGIES TOWARD WHITE PEOPLE IN LOUIS ERDRICH’S THE BIRCHBARK HOUSE, THE GAME OF SILENCE, AND THE PORCUPINE YEAR: A POSTCOLONIAL STUDY.
IRENE NOVELLA SIDABUTAR, ; COMPARISON OF LINGUISTIC FEATURES USED BY THE MAIN CHARACTERS IN GHOSTBUSTERS 1984 AND GHOSTBUSTERS 2016.
IRMA RATNASARI, ; GENDER STEREOTYPING IN THE WORDS USED IN ESQUIRE AND COSMOPOLITAN ARTICLES: A CORPUS-DRIVEN STUDY.
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KELDA GIOVANNIE,; AGAINST THE STEREOTYPE OF AFRICAN AMERICAN WOMEN IN TONI MORRISON'S GOD HELP THE CHILD.
KEMAS YUSI CHAMLIN,; THE REPRESENTATION OF WHITENESS THROUGH THE PORTRAYAL OF CYBORGS IN EX MACHINA MOVIE.
KURNIA NUR LAYLI, ; “A JOURNEY TO SOUTH AMERICA”: ECOLOGICAL IMPERIALISM IN CONAN DOYLE'S NOVEL THE LOST WORLD.
Kartika Widya Sari ; SYLVIA PLATH’S CONFESSION ON SUICIDE THROUGH SYMBOLS IN “LADY LAZARUS” AND “EDGE”: AN EXPRESSIVE APPROACH.
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LAILATUL MAZIDATUR ROHMAH,; FEMME FATALE IN SHERLOCK HOLMES “THE ABOMINABLE BRIDE” TV MOVIE.
LUKY FATMASARI,; SYNTACTIC COMPLEXITY FOUND IN THE ABSTRACTS OF JOURNAL ARTICLES WRITTEN BY MALE AND FEMALE WRITERS.
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MADE SARASWATI SRI ADIWANGSA, ; AMBER’S DESIRE FOR TRUE FRIENDSHIP IN SIOBHAN CURHAM’S THE MOONLIGHT DREAMERS: A NEW CRITICISM STUDY.
MAFTUHA RIFKA AULIYA, ; ILLOCUTIONARY ACT ANALYSIS DONALD TRUMP’S IMMIGRATION SPEECH DURING U.S PRESIDENTIAL ELECTION PROCESS 2016.
MAFTUHA RISKA DESERA ANPRAYANA, ; AN ANALYSIS OF DRILLING TECHNIQUE USED BY ENGLISH TEACHERS OF THE TENTH GRADE IN SMA NEGERI 1 KRIAN.
MARIA ELFRIEDA C.S.T, ; THE SOCIAL SYSTEM ALTERATION IN A SOCIETY RULED BY CAPITALISM REFLECTED IN J. M BARRIE'S PETER PAN AND GERALD BROM'S THE CHILD THIEF: AN INTERTEXTUAL ANALYSIS.
MARINDA AYU BESTARI, ; THE IMPLEMENTATION OF CORRECTIVE FEEDBACK PROVIDED BY A TEACHER TOWARDS STUDENTS AT GLOBAL ENGLISH (GE) PARE IN SPEAKING CLASS.
MASHUDI TRIYATONO,; AN ANALYSIS OF TYPES AND FUNCTIONS OF SLANG WORDS USED BY PRESENTERS IN MTV MOVIE AWARDS 2016 LIVE PROMO.
MIRNA AYU PUTRI, ; The Stereotyping of Indonesian in Sacha Stevenson's Videos Entitled How to Act Indonesian in YouTube.
MIRZA SETIAWAN, ; THE PSYCHOPATHOLOGY EXPERIENCED BY STHEPHEN IN DJANGO UNCHAINED MOVIE.
MOCHAMMAD ARIEF MAULANA, ; INTERPRETATION OF YEONG-HYE’S DREAMS IN HAN KANG’S THE VEGETARIAN: A PSYCHOANALYSIS STUDY.
MOH. RIZAL KHANAFI, ; HUMAN-COMPUTER CONVERSATION: GRICEAN COOPERATIVE PRINCIPLE INCOMPLIANCES OF GOOGLE ASSISTANT.
MOHAMAD IRHAM P.,; LEXICAL ERRORS IN ENGLISH WRITING PRODUCED BY ENGLISH TEACHERS OF SMP NEGERI 1 KOTA GORONTALO AND SMP NEGERI 1 KABILA.
MUHAMMAD ADITYA PURNOMO,; ELEMENTS OF SARCASM ON WILLY WONKA INTERNET MEMES.
MUHAMMAD AGUNG WIJANNARKO, ; INTERNALIZED RACISM AS EXPERIENCED BY JEFFERSON IN ERNEST J. GAINES’ A LESSON BEFORE DYING.
MUHAMMAD ALIFDIKA RAHMANDIANSYAH, ; AVELINE HEROINE’S JOURNEY IN UBISOFT’S ASSASSIN’S CREED: LIBERATION A POST-COLONIALISM STUDY.
MUHAMMAD REZA DHARMAWAN, ; WORD-FORMATION PROCESSES OF THE REGISTER USED BY JVAPE SHOPKEEPERS AND CUSTOMERS AT JVAPE SURABAYA.
MUHTADIN MUSTAFA, ; THE COMING-OF-AGE NARRATIVE OF STIGMATIZED ANDREW DETMER IN JOSH TRANK’S CHRONICLE.
Mayda Monica Paramita, ; THE CONSTRUCTION OF VIRTUAL IDENTITY IN KOREAN CELEBRITY YAOI ROLEPLAYER TWITTER PROFILE.
Miranda Naomi Tambunan, 121311233089 ; SIBLING DEATH AND THE OPERATION OF EROS AND THANATOS IN LENNIE WALKER’S CHARACTER IN JANDY NELSON’S NOVEL THE SKY IS EVERYWHERE.
Muhammad Albuan Elhan, 121211231125 ; CODE SWITCHING USED BY DEDDY CORBUZIER AS THE PRESENTER OF HITAM – PUTIH TALK SHOW TELEVISION PROGRAM AT TRANS 7.
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NADHIFAH FAIRUZ IZDIHARANNISA, 121211231006 ; THE MEANING OF “STAR” DEPICTED IN NEIL GAIMAN’S NOVEL STARDUST.
NARARIA HAGNYANAWATI, 121511223020 ; THE IDENTITY OF KAMPUNG CODE ROMO MANGUN.
NATASHA AUDINA SIREGAR, 121311233101 ; “THAT BUNNY RABBIT IS DEAD”: A FEMINIST STUDY ON THE REPRESENTATION OF YOUNG ADULT WOMAN THROUGH THE PROTAGONIST OF LOCKHART’S THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS.
NIDA NABILAH KUSUMAWARDAH, 121311233138 ; WOMEN LINGUISTIC FEATURES USED BY FEMALE EMPLOYER AND FEMALE EMPLOYEE IN THE DEVIL WEARS PRADA MOVIE.
NINO GREATI ANO, 121311233149 ; THERAPEUTIC LANGUAGING FUNCTIONS USED IN HYPNOTHERAPIST’S DISCOURSE.
NOVANDA RATIH ANNURI, 121311233003 ; WOMEN OBJECTIFICATION IN REALITY TELEVISION SHOW, ASIA’S NEXT TOP MODEL SEASON 4.
NOVIA DWI HANDAYANI, 121311233025 ; THE REPRESENTATION OF INDONESIA THROUGH TOURISM IN WONDERFUL INDONESIA: FINDING INDONESIA TV COMMERCIAL.
NURUL ANISA, 121311233099 ; CHALLENGING THE STEREOTYPE OF NATIVE AMERICAN: A NEW HISTORICIST PERSPECTIVE IN ALEJANDRO G. IÑÁRRITU’S FILM THE REVENANT .
Nur Assyafiiyah Indriani S., 121411223006 ; CODE SWITCHING PERFORMED BY AGNES MONICA AS ONE OF THE JUDGES IN THE VOICE INDONESIA SEASON 2.
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ONY AYU DAMAYANTI, 121311233020 ; THE DEMASCULINIZATION OF ARIF IN DUTA CUBIT MEMES: A CAMERA LUCIDA STUDY.
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PANDU DHARMA PUTRA, 121311233109 ; SYNTACTIC FEATURES OF REGISTER ON PHANTASY STAR ONLINE 2 CHAT.
PANGKON ABI PRATAMA, 121311233151 ; THREE COMMONPLACES OF NARRATIVE IN JANIS ROSALITA’S LIFE STORY.
PATRICIA LIANA, 121311233083 ; ECOLOGICAL IMPERIALISM REPRESENTATION IN THE LORAX FILM.
POPPY AULIA GHAISANI, 121311233103 ; THE IMPACT OF GRIEF TOWARDS BARTHOLOMEW’S LIFE IN MATTHEW QUICK’S NOVEL “THE GOOD LUCK OF RIGHT NOW”.
PRIMA WIDIANI, 121211232096 ; THE REPRESENTATION OF HETERONORMATIVE SOCIETY IN THE IMITATION GAME FILM .
PUTRI LUKI APRILIA, 121511223018 ; THE COMPARISON OF WORD-FORMATION PROCESSES ON UNIQUE WORDS IN SONG LYRICS IN 1999 AND IN 2013: A CASE STUDY OF EMINEM ON THE SLIM SHADY LP ALBUM AND THE MARSHALL MATHERS LP 2 ALBUM.
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QONITAH, 121311233156 ; THE CONSUMPTION OF HALAL HIJAB BY MUSLIM WOMEN: A Case Study of Zoya Hijab Customer of Zoya Diponegoro.
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RACHMA KUSUMAPUTRI, 121311233058 ; ENVIRONMENTAL AWARENESS IN KATE DICAMILLO’S THE MAGICIAN’S ELEPHANT.
RARAS CAHYANING HAPSARI, 120912022 ; WOMEN REPRESENTATIONS IN GAME OF THRONES.
RENI FERONIKA SILAEN, 120912187 ; THE REPRESENTATION OF SOCIAL CLASS IN UPSIDE DOWN FILM.
RIRIN MEYLINDA, 121511223001 ; CELEBRIFICATION OF YouTuber ON YouTube CHANNEL: A CASE STUDY OF HAN YOO RA’S VLOG.
RISMA ARY PRIMAADI, 121311233116 ; THE REPRESENTATION OF PHALLIC FIXATION THROUGH CAMILLE CHARACTER IN GILLIAN FLYNN’S SHARP OBJECTS.
RIZKA AZILA, 121012164 ; HEGEMONY ON DIVERGENT CLASS SYSTEM : THE SUBVERSIVE ACT OF ERUDITE TOWARDS THE HEGEMONY OF ABNEGATION.
ROY RAMADHAN, 121311233131 ; IMPOLITENESS STRATEGIES OF CUSTOMERS’ COMPLAINT TWEETS IN @askairasia.
Resti Fauziah Fajarini, 121112171 ; SPEECH ACTS ANALYSIS IN MATA NAJWA TALK SHOW EPISODE TRI RISMAHARINI (WALI PILIHAN KOTA) BROADAST ON FEBRUARY 12TH,2014.
Risvi Paudwal Parvati, 121211233039 ; THE DEPICTION OF WOMEN EMPOWERMENT AMONG BUSINESS WOMEN AND DOMESTIC WOMEN PORTRAYED IN THE SRIKANDI PROJECT COMMUNITY’S MEMBERS.
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SAFFANAH FATHIN, 121311233086 ; SLIPS OF THE EAR IN PERCEIVING INDONESIAN EXPERIENCED BY THE STUDENTS OF FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA IN QUIET SITUATION.
SANDHYA BAYU PRASIDDHA, 121511223040 ; CODE-SWITCHING PERFORMED BY ANDOVI DA LOPEZ IN THE VLOG ENTITLED “SHANGHAI NBA VLOG”.
SARAH NABILA, 121511223022 ; AN ANALYSIS OF CODE-SWITCHING USED BY TEACHERS IN BILINGUAL CLASS AT SMA MUHAMMADIYAH 2 SURABAYA.
SATRIO NOOR ROIS, 121511223019 ; THE ANALYSIS OF EXTRALINGUISTIC CULTURE-BOUND REFERENCES IN THE INDONESIAN SUBTITLES OF THE HUNDRED FOOT JOURNEY MOVIE.
SEPTIAN NUR TRI RACHMADI, 121511223043 ; Bald On Record Strategy Used by Characters in “Three Kingdoms” Movie.
SULVIANTI TANIA SARI, 121112119 ; THE REPRESENTATION OF MASCULINITY IN MEN'S HEALTH MAGAZINE'S COVER.
Savira Aprilita Ananda, 121311233057 ; THE PORTRAYAL OF A BLADELESS HEROINE IN ALICE HOFFMAN’S THE DOVEKEEPERS: AN ARCHETYPAL STUDY.
Setya Mukti Mahanani, 121211232089 ; A STUDY OF METAPHOR IN THE INDONESIAN TOURISM VIDEOS ADVERTISEMENT OF WONDERFUL INDONESIA.
Shabrina Ayu Febrianne, 121311233095 ; HIDDEN PECULIARITY OF THE MAIN CHARACTER IN MARRISA MEYER’S CINDER: NARRATOLOGY APPROACH.
Siti Qoni Atul Lutfiyah, 121211231119 ; ILLOCUTIONARY ACTS OF SAID AQIL SIROJ’S RELIGIOUS SPEECH ON PEMBACAAN 1 MILYAR SHOLAWAT NARIYAH AT PESANTREN LIRBOYO KEDIRI.
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TANIA MEITAFASIANA, 121211233064 ; THE CONCEPT OF BEAUTY IN RAHASIAGADIS ACCOUNT IN INSTAGRAM: A MULTIMODAL ANALYSIS.
THERESIA COSTA RICA P., 121411223003 ; ONYESONWU’S RESISTANCE AGAINST RACIAL AND GENDER OPPRESSION IN NNEDI OKORAFOR’S WHO FEARS DEATH: A POSTCOLONIAL-FEMINIST CRITICISM.
TRIANDA AGNI WIKANTYAS, 121511223027 ; THE STUDY OF ILLOCUTIONARY ACTS IN BARACK OBAMA’S CAMPAIGN SPEECHES.
Tentrin Anastasyas Soffat, 121311233055 ; DESIRE AND CURIOSITY OF THE CHARACTERS IN JEANNE BIRDSALL’S THE PENDERWICKS: A SUMMER TALE OF FOUR SISTER’S, TWO RABBITS, AND VERY INTERESTING BOY.
Testyan Aripakso, 121411223001 ; SWEAR WORDS USED BY HOST CHEF ON REALITY SHOW “HELL’S KITCHEN U.S.”.
Tut Wuri Handayani, 121511223032 ; SPEECH FUNCTIONS USED BY THE FOLLOWERS IN THE TWEETS OF @e100ss TWITTER ACCOUNT.
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VERA AFRILIANI, 121511223030 ; CONVERSATIONAL IMPLICATURE IN TONIGHT SHOW OF TRAVELLING EPISODES.
VINDA PUSPITA VALANDINI, 121211233009 ; THE PORTRAYAL OF WORKING WOMEN IN GOGIRL! MAGAZINE’S CAREER COACH RUBRIC: SARA MILLS’ DISCOURSE ANALYSIS.
VITA AYU ANGGRAENI, 121311233119 ; JESUS’ PORTRAYAL THROUGH YESHUA IN LAST DAYS IN THE DESERT ; MOVIE: SEMIOTICS APPROACH.
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WURI RETNO MARTANI, 121511223029 ; THE PORTRAYAL OF HANNAH’S STRUGGLE IN FACING BULLYING IN JAY ASHER’S THIRTEEN REASONS WHY A NEW CRITICISM STUDY.
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YOGA SINATRIA PUTRA, 120912184 ; THE PORTRAYAL OF IMPERIALISM IN PACIFIC RIM MOVIE.
YULINDA SUTANTIANI, 121311233126 ; SPEECH CONVERGENCE STRATEGIES USED BY SELLERS TO BUYERS AT WONOKITRI TRADITIONAL MARKET.
Dengan memiliki kumpulan skripsi maka tidak perlu lagi kesana kemari mencari skripsi. Teman teman hanya perlu mempelajari skripsi dari kumpulan skripsi. Kumpulan skripsi terbaik, dimiliki oleh SkripsiBagus.Com ini sudah banyak direkomendasikan teman teman mahasiswa yang telah lulus skripsi. Pengalaman mereka menggunakan Kumpulan skripsi ini sangat memudahkan dalam menyusun skripsi. Teman teman bisa menggunakan cara ini agar mudah dalam menyusun skripsi.
Kumpulan 150 Skripsi Sastra Inggris Mudah Dikerjakan dan Terbaik
Agita Bela Hakiki, ; A COMPARISON OF MULTIMODALITY ELEMENTS USED IN BEYONCE'S MUSIC VIDEOS: CRAZY IN LOVE AND FORMATION.
Ambarwati, ; BLACK PRIDE CONSTRUCTION ON AFRICAN AMERICAN HERO IN THE BOOK OF ELI ;MOVIE: AN ARCHETYPAL STUDY.
Ana Nur Ainy, ; DECONSTRUCTING THE CONCEPT OF ‘PURE WOMAN’ IN THOMAS HARDY’S TESS OF THE D’URBERVILLES.
Antariksa Akhmadi, ; COMPARISON OF ENGLISH AND INDONESIAN LYRICS OF OREO WONDERFILLED ADVERTISEMENT: A LOCALIZATION PERSPECTIVE.
Avenie Putri Sari, ; THE FUNCTIONS OF PSA “PENYAKIT YANG DIAKIBATKAN ROKOK”: A STUDY OF DISCOURSE OF ADVERTISING.
Ayu Nukita Sari, ; Language Teaching Strategies Used by the English Teacher at 10th Grade Students in SMA Antartika Sidoarjo.
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BARKAH RAMADHAN, ; THE REPRESENTATION OF MONOMYTH FROM THE TWO MAIN CHARACTERS IN CHINA MIEVILLE’S UN LUN DUN.
BELINDA DEVINA, ; THE USE OF TEACHER'S CORRECTIVE FEEDBACK IN SPEAKING ACTIVITY STAGE FOR INTERMEDIATE CLASSES AT EF KAYUN SURABAYA.
BERLIANA SAPUTRI, ; SLIPS OF THE TONGUE IN THE UTTERANCES OF PRESCHOOLERS AGED 4-6 YEARS OLD IN SURABAYA WHILE CONVERSING WITH THEIR MOTHERS USING BAHASA INDONESIA.
BUDI AGUNG SETYO NUGROHO,; THE AMBIVALENCE OF HENRY TOWNSEND IN EDWARD P. JONES’ NOVEL THE KNOWN WORLD: A POST-COLONIAL STUDY.
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CHARISA FINI EFFENDI,; CODE SWITCHING IN COSMO GIRL INDONESIA MAGAZINE.
CHRISTANTY AUGUSTINE S., ; CHALLENGING THE TRADITIONAL GENDER ROLE IN JACQUELINE KELLY'S NOVEL THE EVOLUTION OF CALPURNIA TATE: A FEMINISM APPROACH.
CLEARANI LUH YEYEN ISPRIADI, ; ECOLOGICAL IMPERIALISM IN TESSA HARRIS’S THE DEAD SHALL NOT REST NOVEL.
Cindy Imeidha Tiffanie, ; AN ANALYSIS OF LEXICAL CHOICE USED IN THE 2016 U.S. PRESIDENTIAL THIRD ROUND DEBATE.
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DARA ADHELIA YOEDHISTIRA, ; MISOGYNY IN QUENTIN TARANTINO’S THE HATEFUL EIGHT FILM.
DEA SISCA KUSDIANA, ; MYSTICISM AND EXOTICISM IN INDIA IN COLDPLAY MUSIC VIDEO “HYMN FOR THE WEEKEND” ;: A PROCESS OF OTHERING.
DESI DWI CAHYATI, ; THE EFFECTS OF COLLABORATIVE AND INDIVIDUAL OUTPUT TASKS ON THE LEARNING OF ENGLISH COUNTABLE AND UNCOUNTABLE NOUNS.
DEWANTI KINANDHANA, ; TEACHER TALK ANALYSIS AT ENGLISH FIRST DELTA PLAZA SURABAYA.
DIAN ATIKASARI, ; THREE COMMONPLACES OF NARRATIVE IN A TEACHER’S LIFE STORY.
DIYAN ANITA PUSPITASARI, ; MISHEARINGS EXPERIENCED BY INDONESIAN STUDENTS IN GRADES 4-6 OF SDN AIRLANGGA 1 SURABAYA.
DYAH AYU WIDURI,; DECONSTRUCTION OF THE VIEW TOWARDS DYSFUNCTIONAL FAMILY IN EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT.
Derry Kurnia Addinta, ; AN ANALYSIS OF LANGUAGE OF HUMOR AT “INI TALK SHOW” TELEVISION PROGRAM.
Desak Putu Ardini Handayani,; POLITENESS STRATEGIES USED BY THE SUSPECT IN THE CRIMINAL INVESTIGATION BY THE POLICE.
Devi Istyanisa Haryuni, ; THE MEANING AND THE SOCIAL ASPECTS OF SLANG FOUND IN MAD MAX: FURY ROAD MOVIE.
Dwi Ayun Pratiwi,; THE REPRESENTATION OF MASCULINITY IN BANGTAN BOYS CLIP VIDEO ENTITLED DOPE.
Dwi Cahyani Octavianti,; The Representation of Woman in “Roar” Music Video by Katy Perry.
EKAMAGDA YUCCA AFIFAH, ; THE COMMODIFICATION OF DEVOUT MUSLIM IDENTITY THROUGH ENDORSEMENT PICTURES POSTED ON OKI SETIANA DEWI’S INSTAGRAM.
ELIN SETIAWATI, ; THE COMPARISON OF WOMEN’S LINGUISTIC FEATURES USED BETWEEN MEN AND WOMEN ASK.FM USERS ON RESPONDING TO HATE MESSAGES.
ELIZABETH ALEXANDRIA LAUREN,; DISCOURSE OF CHINESE-INDONESIAN IN KICK ANDY’S MR. GOVERNOR AND KONTROVERSI AHOK.
Eka Marina Pratiwi, ; COMPARATIVE STUDY OF ENGLISH TEXT COMPOSITION WRITTEN BY BILINGUAL STUDENTS IN PUBLIC SCHOOL AND INTERNATIONAL SCHOOL.
FARRIN DYOTA RACHMADILLA, ; THE INTERNET LANGUAGE FEATURES USED BY MALE AND FEMALE COMMENTATORS IN COMMENTING “BAD (OFFICIAL MUSIC VIDEO CLIP) BY YOUNG LEX FEATURING AWKARIN” ON YOUTUBE.
FAWZIA NOOR UMMAH,; THE STRUGGLE OF MULLET FINGER TO PROTECT BURROWING OWLS FROM HABITAT DESTRUCTION IN CARL HIAASEN’S HOOT.
FESTIANANDA ERUM MAWADDAH, ; A NEW CRITICM STUDY: XENOPHOBIA OF THE MAIN CHARACTER IN UMBERTO ECO'S THE PRAGUE CEMETERY.
FITA NOFARYA,; DISCURSIVE REFERENCES OF NATIONALISM WITHIN PANDJI PRAGIWAKSONO’S MESAKKE BANGSAKU STAND UP COMEDY SHOW.
FITRI DIANITASARI,; TRANSLATION ERROR FOUND IN UNDERGRADUATE THESIS ABSTRACT OF COMMUNICATION SCIENCE UNIVERSITAS AIRLANGGA BATCH 2015.
FRANSISCA KRISTIAN KUSUMA WARDANI,; HERO AND VILLAIN REPRESENTATION IN THE FILM 13 HOURS: THE SECRET SOLDIER OF BENGHAZI ;.
FRISTY LUANTSA KAULINA, ; THE INTERNET LANGUAGE FEATURES AND DICTIONS OF THE TWEETS OF MARIAH CAREY AND ARIANA GRANDE: A COMPARATIVE STUDY ON LANGUAGE AND AGE.
Fariz Fajrillah Murnadiputra, THE COMPARISON OF THE MODES USED IN TV ADVERTISEMENTS FOR MALES AND FEMALES: A CASE STUDY ON POND’S PRODUCT ADVERTISING.
Fitria Zahrina Putri, ; WHEN LOVE DARES (NOT) SAY ITS NAME; HOMOPHOBIA AND (HOMO)SEXUAL IDENTITY PORTRAYED IN SILVERA’S MORE HAPPY THAN NOT.
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GADIS LARASATI PERDANA, ; FASHION AND IDENTITY: THE MODIFICATION OF BATIK-GRUNGE RIPPED JEANS BY MOJOKERTO GRUNGE SOCIETY (MGS).
GILANG ZEILA NURUL HUDHA, ; FASHION CRITICS’ REGISTER IN FASHION POLICE TALK SHOW.
GISKA EKANA S., ; GENDER PERFORMATIVITY IN SELEBGRAM: CASE STUDY OF @JOVI ADHIGUNA INSTAGRAM ACCOUNT.
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HANA NURJANAH, ; THE BEAUTY CONCEPT PRESENTED BY FEMALE PRESENTERS IN PARA PETUALANG CANTIK INDONESIAN TELEVISION PROGRAM.
HAZMI PUTRA K.N., ; THE AMBIVALENCE OF THA’MMA’S DEPICTED IN AMITAV GHOSH’S NOVEL THE SHADOW LINES: A POST-COLONIAL STUDY.
HEPPY EGRETTA, ; AN ANALYSIS OF TRANSLATION INDONESIAN-ENGLISH RESTAURANT MENU IN THREE-STAR HOTELS IN SURABAYA.
HERDHIANTI PUTRI YUNIAR, ; FETISHISM IN FOOD AND FASHION PROGRAM IN TRANS TV.
HERDINDA OCTARI,; THE REPRESENTATION OF WOMEN’S CHARACTERS IN CINDERELLA THE MOVIE : A FEMINIST ANALYSIS.
Hasnia Minanda, ; THE PORTRAYAL OF WOMAN IN TOP WHITE COFFEE COMMERCIAL: RALINE SHAH VERSION.
Hidayatul Khoiriyah,; THE PORTRAYALS OF THE LOWER CLASS IN AXIS IRITOLOGY NOMOR 54 INDONESIAN COMMERCIAL BREAK: A SEMIOTIC ANALYSIS.
Husnuz Ziya Labib Ahmad,; Representation of Villain in Kamen Rider Wizard the 23rd Serie.
I
IBRAHIM BAHALWAN, ; THE WORD ERROR COMPARISON BETWEEN GOOGLE AND MICROSOFT AUTOMATED SPEECH RECOGNITION SYSTEMS.
ICKO DIVINO RHESANANDA,; THE REPRESENTATION OF MASCULINITY IN @WAKDOYOKCREAM INSTAGRAM ACCOUNT: SEMIOTIC STUDY.
IKA MEIDYANA RACHMANIA, ; BEAUTY AND MASCULINITY: A SEMIOTIC STUDY OF @Endi_feng INSTAGRAM ACCOUNT.
IKKO DESTRIYA ANGGITA ATTISHA LAILA, ; CODE SWITCHING USED BY IVAN GUNAWAN AS THE COMMENTATOR IN THE DANGDUT ACADEMY ASIA 2.
ILHAM PRAYUDA, ; THE REPRESENTATION OF INDONESIAN NATIONAL IDENTITY THROUGH SPORT IN DJARUM COMMERCIAL BREAK BADMINTON SCHOLARSHIP VERSION .
ILMIA ZILVA,; TEACHING STUDENT’S ACCURACY IN PRONOUNCING –ED ENDING WORDS BY USING NARRATIVE CARTOON VIDEO IN MTS BILINGUAL MUSLIMAT NU PUCANG SIDOARJO.
INDATI CAHYA LUVITHA,; THE PORTRAYAL OF GENDER ROLES IN THE INTERN FILM: ANALYSIS ON THE CHARACTER JULES OSTIN’S ROLE AS A WORKING MOTHER.
INGGAR PRAMBAN DHANI, ; Communication Accommodation Strategies Performed by Lazuardi Al-Falah Klaten Elementary Teachers in Cambridge International Curriculum (CIC) Classes.
INTAN HERTY JIHANE, ; OJIBWA PEOPLE’S RESISTANCE STRATEGIES TOWARD WHITE PEOPLE IN LOUIS ERDRICH’S THE BIRCHBARK HOUSE, THE GAME OF SILENCE, AND THE PORCUPINE YEAR: A POSTCOLONIAL STUDY.
IRENE NOVELLA SIDABUTAR, ; COMPARISON OF LINGUISTIC FEATURES USED BY THE MAIN CHARACTERS IN GHOSTBUSTERS 1984 AND GHOSTBUSTERS 2016.
IRMA RATNASARI, ; GENDER STEREOTYPING IN THE WORDS USED IN ESQUIRE AND COSMOPOLITAN ARTICLES: A CORPUS-DRIVEN STUDY.
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KELDA GIOVANNIE,; AGAINST THE STEREOTYPE OF AFRICAN AMERICAN WOMEN IN TONI MORRISON'S GOD HELP THE CHILD.
KEMAS YUSI CHAMLIN,; THE REPRESENTATION OF WHITENESS THROUGH THE PORTRAYAL OF CYBORGS IN EX MACHINA MOVIE.
KURNIA NUR LAYLI, ; “A JOURNEY TO SOUTH AMERICA”: ECOLOGICAL IMPERIALISM IN CONAN DOYLE'S NOVEL THE LOST WORLD.
Kartika Widya Sari ; SYLVIA PLATH’S CONFESSION ON SUICIDE THROUGH SYMBOLS IN “LADY LAZARUS” AND “EDGE”: AN EXPRESSIVE APPROACH.
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LAILATUL MAZIDATUR ROHMAH,; FEMME FATALE IN SHERLOCK HOLMES “THE ABOMINABLE BRIDE” TV MOVIE.
LUKY FATMASARI,; SYNTACTIC COMPLEXITY FOUND IN THE ABSTRACTS OF JOURNAL ARTICLES WRITTEN BY MALE AND FEMALE WRITERS.
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MADE SARASWATI SRI ADIWANGSA, ; AMBER’S DESIRE FOR TRUE FRIENDSHIP IN SIOBHAN CURHAM’S THE MOONLIGHT DREAMERS: A NEW CRITICISM STUDY.
MAFTUHA RIFKA AULIYA, ; ILLOCUTIONARY ACT ANALYSIS DONALD TRUMP’S IMMIGRATION SPEECH DURING U.S PRESIDENTIAL ELECTION PROCESS 2016.
MAFTUHA RISKA DESERA ANPRAYANA, ; AN ANALYSIS OF DRILLING TECHNIQUE USED BY ENGLISH TEACHERS OF THE TENTH GRADE IN SMA NEGERI 1 KRIAN.
MARIA ELFRIEDA C.S.T, ; THE SOCIAL SYSTEM ALTERATION IN A SOCIETY RULED BY CAPITALISM REFLECTED IN J. M BARRIE'S PETER PAN AND GERALD BROM'S THE CHILD THIEF: AN INTERTEXTUAL ANALYSIS.
MARINDA AYU BESTARI, ; THE IMPLEMENTATION OF CORRECTIVE FEEDBACK PROVIDED BY A TEACHER TOWARDS STUDENTS AT GLOBAL ENGLISH (GE) PARE IN SPEAKING CLASS.
MASHUDI TRIYATONO,; AN ANALYSIS OF TYPES AND FUNCTIONS OF SLANG WORDS USED BY PRESENTERS IN MTV MOVIE AWARDS 2016 LIVE PROMO.
MIRNA AYU PUTRI, ; The Stereotyping of Indonesian in Sacha Stevenson's Videos Entitled How to Act Indonesian in YouTube.
MIRZA SETIAWAN, ; THE PSYCHOPATHOLOGY EXPERIENCED BY STHEPHEN IN DJANGO UNCHAINED MOVIE.
MOCHAMMAD ARIEF MAULANA, ; INTERPRETATION OF YEONG-HYE’S DREAMS IN HAN KANG’S THE VEGETARIAN: A PSYCHOANALYSIS STUDY.
MOH. RIZAL KHANAFI, ; HUMAN-COMPUTER CONVERSATION: GRICEAN COOPERATIVE PRINCIPLE INCOMPLIANCES OF GOOGLE ASSISTANT.
MOHAMAD IRHAM P.,; LEXICAL ERRORS IN ENGLISH WRITING PRODUCED BY ENGLISH TEACHERS OF SMP NEGERI 1 KOTA GORONTALO AND SMP NEGERI 1 KABILA.
MUHAMMAD ADITYA PURNOMO,; ELEMENTS OF SARCASM ON WILLY WONKA INTERNET MEMES.
MUHAMMAD AGUNG WIJANNARKO, ; INTERNALIZED RACISM AS EXPERIENCED BY JEFFERSON IN ERNEST J. GAINES’ A LESSON BEFORE DYING.
MUHAMMAD ALIFDIKA RAHMANDIANSYAH, ; AVELINE HEROINE’S JOURNEY IN UBISOFT’S ASSASSIN’S CREED: LIBERATION A POST-COLONIALISM STUDY.
MUHAMMAD REZA DHARMAWAN, ; WORD-FORMATION PROCESSES OF THE REGISTER USED BY JVAPE SHOPKEEPERS AND CUSTOMERS AT JVAPE SURABAYA.
MUHTADIN MUSTAFA, ; THE COMING-OF-AGE NARRATIVE OF STIGMATIZED ANDREW DETMER IN JOSH TRANK’S CHRONICLE.
Mayda Monica Paramita, ; THE CONSTRUCTION OF VIRTUAL IDENTITY IN KOREAN CELEBRITY YAOI ROLEPLAYER TWITTER PROFILE.
Miranda Naomi Tambunan, 121311233089 ; SIBLING DEATH AND THE OPERATION OF EROS AND THANATOS IN LENNIE WALKER’S CHARACTER IN JANDY NELSON’S NOVEL THE SKY IS EVERYWHERE.
Muhammad Albuan Elhan, 121211231125 ; CODE SWITCHING USED BY DEDDY CORBUZIER AS THE PRESENTER OF HITAM – PUTIH TALK SHOW TELEVISION PROGRAM AT TRANS 7.
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NADHIFAH FAIRUZ IZDIHARANNISA, 121211231006 ; THE MEANING OF “STAR” DEPICTED IN NEIL GAIMAN’S NOVEL STARDUST.
NARARIA HAGNYANAWATI, 121511223020 ; THE IDENTITY OF KAMPUNG CODE ROMO MANGUN.
NATASHA AUDINA SIREGAR, 121311233101 ; “THAT BUNNY RABBIT IS DEAD”: A FEMINIST STUDY ON THE REPRESENTATION OF YOUNG ADULT WOMAN THROUGH THE PROTAGONIST OF LOCKHART’S THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS.
NIDA NABILAH KUSUMAWARDAH, 121311233138 ; WOMEN LINGUISTIC FEATURES USED BY FEMALE EMPLOYER AND FEMALE EMPLOYEE IN THE DEVIL WEARS PRADA MOVIE.
NINO GREATI ANO, 121311233149 ; THERAPEUTIC LANGUAGING FUNCTIONS USED IN HYPNOTHERAPIST’S DISCOURSE.
NOVANDA RATIH ANNURI, 121311233003 ; WOMEN OBJECTIFICATION IN REALITY TELEVISION SHOW, ASIA’S NEXT TOP MODEL SEASON 4.
NOVIA DWI HANDAYANI, 121311233025 ; THE REPRESENTATION OF INDONESIA THROUGH TOURISM IN WONDERFUL INDONESIA: FINDING INDONESIA TV COMMERCIAL.
NURUL ANISA, 121311233099 ; CHALLENGING THE STEREOTYPE OF NATIVE AMERICAN: A NEW HISTORICIST PERSPECTIVE IN ALEJANDRO G. IÑÁRRITU’S FILM THE REVENANT .
Nur Assyafiiyah Indriani S., 121411223006 ; CODE SWITCHING PERFORMED BY AGNES MONICA AS ONE OF THE JUDGES IN THE VOICE INDONESIA SEASON 2.
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ONY AYU DAMAYANTI, 121311233020 ; THE DEMASCULINIZATION OF ARIF IN DUTA CUBIT MEMES: A CAMERA LUCIDA STUDY.
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PANDU DHARMA PUTRA, 121311233109 ; SYNTACTIC FEATURES OF REGISTER ON PHANTASY STAR ONLINE 2 CHAT.
PANGKON ABI PRATAMA, 121311233151 ; THREE COMMONPLACES OF NARRATIVE IN JANIS ROSALITA’S LIFE STORY.
PATRICIA LIANA, 121311233083 ; ECOLOGICAL IMPERIALISM REPRESENTATION IN THE LORAX FILM.
POPPY AULIA GHAISANI, 121311233103 ; THE IMPACT OF GRIEF TOWARDS BARTHOLOMEW’S LIFE IN MATTHEW QUICK’S NOVEL “THE GOOD LUCK OF RIGHT NOW”.
PRIMA WIDIANI, 121211232096 ; THE REPRESENTATION OF HETERONORMATIVE SOCIETY IN THE IMITATION GAME FILM .
PUTRI LUKI APRILIA, 121511223018 ; THE COMPARISON OF WORD-FORMATION PROCESSES ON UNIQUE WORDS IN SONG LYRICS IN 1999 AND IN 2013: A CASE STUDY OF EMINEM ON THE SLIM SHADY LP ALBUM AND THE MARSHALL MATHERS LP 2 ALBUM.
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QONITAH, 121311233156 ; THE CONSUMPTION OF HALAL HIJAB BY MUSLIM WOMEN: A Case Study of Zoya Hijab Customer of Zoya Diponegoro.
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RACHMA KUSUMAPUTRI, 121311233058 ; ENVIRONMENTAL AWARENESS IN KATE DICAMILLO’S THE MAGICIAN’S ELEPHANT.
RARAS CAHYANING HAPSARI, 120912022 ; WOMEN REPRESENTATIONS IN GAME OF THRONES.
RENI FERONIKA SILAEN, 120912187 ; THE REPRESENTATION OF SOCIAL CLASS IN UPSIDE DOWN FILM.
RIRIN MEYLINDA, 121511223001 ; CELEBRIFICATION OF YouTuber ON YouTube CHANNEL: A CASE STUDY OF HAN YOO RA’S VLOG.
RISMA ARY PRIMAADI, 121311233116 ; THE REPRESENTATION OF PHALLIC FIXATION THROUGH CAMILLE CHARACTER IN GILLIAN FLYNN’S SHARP OBJECTS.
RIZKA AZILA, 121012164 ; HEGEMONY ON DIVERGENT CLASS SYSTEM : THE SUBVERSIVE ACT OF ERUDITE TOWARDS THE HEGEMONY OF ABNEGATION.
ROY RAMADHAN, 121311233131 ; IMPOLITENESS STRATEGIES OF CUSTOMERS’ COMPLAINT TWEETS IN @askairasia.
Resti Fauziah Fajarini, 121112171 ; SPEECH ACTS ANALYSIS IN MATA NAJWA TALK SHOW EPISODE TRI RISMAHARINI (WALI PILIHAN KOTA) BROADAST ON FEBRUARY 12TH,2014.
Risvi Paudwal Parvati, 121211233039 ; THE DEPICTION OF WOMEN EMPOWERMENT AMONG BUSINESS WOMEN AND DOMESTIC WOMEN PORTRAYED IN THE SRIKANDI PROJECT COMMUNITY’S MEMBERS.
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SAFFANAH FATHIN, 121311233086 ; SLIPS OF THE EAR IN PERCEIVING INDONESIAN EXPERIENCED BY THE STUDENTS OF FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA IN QUIET SITUATION.
SANDHYA BAYU PRASIDDHA, 121511223040 ; CODE-SWITCHING PERFORMED BY ANDOVI DA LOPEZ IN THE VLOG ENTITLED “SHANGHAI NBA VLOG”.
SARAH NABILA, 121511223022 ; AN ANALYSIS OF CODE-SWITCHING USED BY TEACHERS IN BILINGUAL CLASS AT SMA MUHAMMADIYAH 2 SURABAYA.
SATRIO NOOR ROIS, 121511223019 ; THE ANALYSIS OF EXTRALINGUISTIC CULTURE-BOUND REFERENCES IN THE INDONESIAN SUBTITLES OF THE HUNDRED FOOT JOURNEY MOVIE.
SEPTIAN NUR TRI RACHMADI, 121511223043 ; Bald On Record Strategy Used by Characters in “Three Kingdoms” Movie.
SULVIANTI TANIA SARI, 121112119 ; THE REPRESENTATION OF MASCULINITY IN MEN'S HEALTH MAGAZINE'S COVER.
Savira Aprilita Ananda, 121311233057 ; THE PORTRAYAL OF A BLADELESS HEROINE IN ALICE HOFFMAN’S THE DOVEKEEPERS: AN ARCHETYPAL STUDY.
Setya Mukti Mahanani, 121211232089 ; A STUDY OF METAPHOR IN THE INDONESIAN TOURISM VIDEOS ADVERTISEMENT OF WONDERFUL INDONESIA.
Shabrina Ayu Febrianne, 121311233095 ; HIDDEN PECULIARITY OF THE MAIN CHARACTER IN MARRISA MEYER’S CINDER: NARRATOLOGY APPROACH.
Siti Qoni Atul Lutfiyah, 121211231119 ; ILLOCUTIONARY ACTS OF SAID AQIL SIROJ’S RELIGIOUS SPEECH ON PEMBACAAN 1 MILYAR SHOLAWAT NARIYAH AT PESANTREN LIRBOYO KEDIRI.
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TANIA MEITAFASIANA, 121211233064 ; THE CONCEPT OF BEAUTY IN RAHASIAGADIS ACCOUNT IN INSTAGRAM: A MULTIMODAL ANALYSIS.
THERESIA COSTA RICA P., 121411223003 ; ONYESONWU’S RESISTANCE AGAINST RACIAL AND GENDER OPPRESSION IN NNEDI OKORAFOR’S WHO FEARS DEATH: A POSTCOLONIAL-FEMINIST CRITICISM.
TRIANDA AGNI WIKANTYAS, 121511223027 ; THE STUDY OF ILLOCUTIONARY ACTS IN BARACK OBAMA’S CAMPAIGN SPEECHES.
Tentrin Anastasyas Soffat, 121311233055 ; DESIRE AND CURIOSITY OF THE CHARACTERS IN JEANNE BIRDSALL’S THE PENDERWICKS: A SUMMER TALE OF FOUR SISTER’S, TWO RABBITS, AND VERY INTERESTING BOY.
Testyan Aripakso, 121411223001 ; SWEAR WORDS USED BY HOST CHEF ON REALITY SHOW “HELL’S KITCHEN U.S.”.
Tut Wuri Handayani, 121511223032 ; SPEECH FUNCTIONS USED BY THE FOLLOWERS IN THE TWEETS OF @e100ss TWITTER ACCOUNT.
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VERA AFRILIANI, 121511223030 ; CONVERSATIONAL IMPLICATURE IN TONIGHT SHOW OF TRAVELLING EPISODES.
VINDA PUSPITA VALANDINI, 121211233009 ; THE PORTRAYAL OF WORKING WOMEN IN GOGIRL! MAGAZINE’S CAREER COACH RUBRIC: SARA MILLS’ DISCOURSE ANALYSIS.
VITA AYU ANGGRAENI, 121311233119 ; JESUS’ PORTRAYAL THROUGH YESHUA IN LAST DAYS IN THE DESERT ; MOVIE: SEMIOTICS APPROACH.
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WURI RETNO MARTANI, 121511223029 ; THE PORTRAYAL OF HANNAH’S STRUGGLE IN FACING BULLYING IN JAY ASHER’S THIRTEEN REASONS WHY A NEW CRITICISM STUDY.
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YOGA SINATRIA PUTRA, 120912184 ; THE PORTRAYAL OF IMPERIALISM IN PACIFIC RIM MOVIE.
YULINDA SUTANTIANI, 121311233126 ; SPEECH CONVERGENCE STRATEGIES USED BY SELLERS TO BUYERS AT WONOKITRI TRADITIONAL MARKET.
